Stephen DiRado, a renowned film photography educator at Clark University, has been a prominent figure on campus and in his field for his acclaimed work. DiRado’s journey at Clark commenced 41 years ago when he was merely 23, a decision he attributes to a calling rather than a conscious choice.
In an interview with The Scarlet, Professor DiRado delved into his professional trajectory, the nuances of photography, and [blank].
Reflecting on his early exposure to photography and art, DiRado reminisced about his formative years surrounded by the craft. His father, a commercial photographer and artist, collaborated extensively with various individuals across Massachusetts.
During his high school years, DiRado’s passion for photography blossomed as he initiated a photo club and began teaching his peers the art of capturing and developing images. Simultaneously, he ventured into journalism as a part-time contributor for the Marlboro Sun, an extension of the Worcester Telegram & Gazette, covering a diverse range of events from sports to weddings.
Transitioning to college, DiRado encountered a shift towards fine art photography, distinct from his prior experiences in photojournalism. This transition marked a more personal and introspective approach to the craft, steering away from the service-oriented ethos of photojournalism.
While DiRado harbored ambitions of pursuing photography professionally, the prospect of teaching never featured prominently in his plans. However, an opportunity to instruct a high school enrichment program post-graduation challenged his reservations about public speaking. Despite initial apprehensions and self-doubt, DiRado’s teaching debut instilled in him a sense of humility and vulnerability that shaped his pedagogical philosophy.
DiRado’s methodical approach to photography emphasizes creating a narrative through visual storytelling, capturing subjects within their environment to evoke a sense of connection and intrigue. This narrative style, a blend of personal expression and journalistic integrity, defines his unique artistic perspective.
Embarking on his seminal project, “Bell Pond,” in 1983, DiRado immersed himself in a community-centric photographic exploration at a local park. Engaging with individuals on a daily basis, he forged lasting connections and documented the essence of communal life, a project that resonates with emotional depth and authenticity.
Subsequently, DiRado’s foray into the “Mall” series captured a pivotal moment in the evolution of shopping centers, encapsulating the essence of a shifting cultural landscape. His keen eye for detail and societal nuances illuminated the transient nature of consumer spaces, culminating in a thought-provoking exhibition at the Worcester Art Museum.
The project “With Dad,” a poignant tribute to his father’s battle with Alzheimer’s, stands as a testament to DiRado’s emotional depth and familial bonds. Through a series of intimate portraits spanning two decades, DiRado navigates the complexities of memory, love, and loss, offering a profound reflection on the passage of time and the enduring power of photography.
In conclusion, Stephen DiRado’s artistic odyssey is characterized by a relentless pursuit of creative growth and introspection. Despite accolades for his work, DiRado remains driven by a quest for artistic fulfillment, constantly pushing the boundaries of his craft. His extensive body of work, comprising over 30,000 photographs, serves as a testament to his unwavering dedication and passion for visual storytelling, ensuring his legacy endures beyond mere recognition.