For Julio Torres, the filmmaker behind “Problemista,” utilizing masterful absurdism is key to unraveling the complexities of the U.S. immigration system, bureaucratic hurdles, commercial influences, the art realm, and life trajectories.
In his inaugural feature “Problemista,” Julio Torres, who also stars as the protagonist, introduces viewers to the world of aspiring toy creator Alejandro. The narrative revolves around Alejandro’s quest to secure a sponsor for his work visa, leading him to collaborate with the art critic Elizabeth, portrayed by Tilda Swinton. While the synopsis sets the stage, it barely scratches the surface of the film’s whimsical and chaotic essence. Expect a surreal blend of elements such as eggs, fantastical architecture, the Bank of America, cryonics, Craigslist, a Hydra, and spreadsheets. Despite the seemingly disparate components, Torres skillfully weaves them together with a touch of heart and humor.
At its heart, “Problemista” delves into the immigrant experience, navigating the convoluted maze of paperwork and regulations. The choice of magical realism as a storytelling device feels apt, given the inherently absurd nature of the U.S. immigration system. Torres adeptly incorporates this style, ensuring that the fantastical elements enhance rather than overshadow the film’s underlying message.
During a press interaction, Torres elucidated on his endeavor to harmonize creative exuberance with thematic coherence while adhering to budgetary constraints. Reflecting on the need to strike a balance, Torres humorously remarked on the initial grandeur of the script, envisioning a sprawling sci-fi epic that could have diluted the film’s essence. The outcome is a script that strikes a delicate balance between campy charm and heartfelt sincerity, brought to life through the captivating performances of Torres and Swinton. Their on-screen dynamic, juxtaposing Swinton’s intense portrayal with Torres’s endearing awkwardness, fosters a unique connection with the audience.
As Alejandro shadows Elizabeth, grappling with her assertive demeanor, he learns to reshape his own voice, infusing it with passion and resilience. The film underscores the importance of authenticity and perseverance, encapsulated in Elizabeth’s mantra: “It’s everything or everything.” Torres’s directorial voice echoes this authenticity, refusing to confine his artistic vision to conventional norms.
“Problemista” serves as a poignant reminder to embrace one’s true self amidst life’s challenges. Torres, drawing from his own immigration journey, emphasizes the significance of living fully rather than solely focusing on professional pursuits. The film’s characters mirror this candidness, mirroring Torres’s unapologetic approach to storytelling. With its distinctive set design, evocative soundtrack, compelling narrative, and dedicated ensemble, “Problemista” emerges as a compelling and indispensable cinematic creation.