Audience members chuckled during the performance of “Villette” on January 24 at the Lindhurst Theatre. The play, based on Charlotte Brontë’s novel “Villette,” was adapted by playwright Sara Gmitter. Images captured by Olivia Schneider.
With a touching storyline, comedic casting, and unconventional lighting, “Villette” was brought to life as an interpretation of Charlotte Brontë’s classic novel. The production debuted on January 23 at the [ppp1] theater.
The narrative of “Villette” revolves around Lucy Snowe, a 23-year-old character navigating the social and physical landscapes of the fictional city of Villette. She encounters the strict Madame Beck, portrayed by Kayla Bryant, the timid Dr. John, played by Evan Huit, and develops feelings for the sarcastic Monsieur Paul, portrayed by Spencer Williams.
Reflecting on the creative process, the playwright shared, “Once I delved into playwriting and gained experience, I felt ready for a challenge. So, I took on the task of adapting my favorite novel into a play.”
Genesis Ochoa, a junior majoring in theater and screen arts with a focus on acting, took on the role of Lucy Snowe in her second production at Pepperdine. Ochoa expressed her gratitude for portraying the lead character and drew inspiration from Snowe’s unique persona.
“I’ve learned a lot about resilience through the portrayal of Lucy. I appreciate Sara and Brontë for helping me embody a more independent and determined woman,” Ochoa remarked.
Prior to the January 24 show of “Villette,” attendees perused the playbill. This performance at the Lindhurst Theater marked its premiere in the West.
The play delves into societal taboos such as depression and anxiety. Gmitter sheds light on these themes from Brontë’s novel, published in 1853, a time when mental health issues were scarcely acknowledged. Gmitter emphasized these aspects in her adaptation.
“Lucy experiences a period of depression vividly described by Brontë, even though the terminology for it didn’t exist during Brontë’s time. She understood it, felt it, and depicted it in a recognizable manner,” Gmitter explained.
In addition to addressing mental health challenges, Gmitter weaves themes of feminism and female empowerment throughout the play. Characters like Ginevra, Madame Beck, and Madame Bretton embody various facets of womanhood.
“Madame Beck represents the potential path Lucy could take if she fully embraces the rational and practical route. Ginevra challenges the stereotypical image of an accomplished young woman, revealing a complex and intriguing persona beneath the surface. Mrs. Bretton symbolizes warmth and the assurance of being loved,” Gmitter elaborated.
As the audience gathered for the January 24 showing of “Villette” at the Lindhurst Theater, the performances commenced on January 23 and ran through January 27.
Izzy Latala, a first-year Public Relations major, shared her positive feedback on the production. “I really enjoyed it. The minimalistic set was impressive, seamlessly adapting to various scenes and settings,” Latala commented.
The production of Villette commenced in September 2023, according to Scenic Designer Stella Engel. Engel detailed the challenges of transforming the confined space at Lindhurst into the expansive city of Villette.
“We had to navigate through numerous settings in the play, which initially posed a challenge. We prioritized key elements like doors and storms to set the stage, followed by addressing practical aspects,” Engel explained.
As “Villette” concluded its run at Pepperdine, Gmitter hinted at a new project in the works. “I have another play ready to be staged, waiting for the perfect timing. However, ‘Villette’ will always hold a special place in my heart,” Gmitter shared.