This fantastic rendition of Shakespeare’s second-lengthiest play is executed with integrity, reverence, and a subtle wink and nod by our lead character Richard III, portrayed skillfully by Patrick Tombs standing in for Katy Sullivan. Tombs kicks off the performance with the famous line: “Now is the winter of our discontent,” delivered with a sly grin to the audience, then proceeds to give his all to ensure every spectator is thoroughly satisfied. Beyond the physical demands of depicting the deformed would-be monarch, the emotional depth conveyed in every line spoken by Tombs and his fellow actors left the audience captivated from beginning to end.
King Edward IV (Demetrios Troy, at center) is depicted with his family – the Princes (manipulated by Mark Bedard and Mo Shipley), Queen Elizabeth (Jessica Dean Turner), Lord Rivers (Sean Fortunato), and Clarence (Scott Aiello) – in “Richard III,” under the direction of Edward Hall in his inaugural production as Chicago Shakespeare Theater’s artistic director. The play runs in the Courtyard Theater until March 3. (Photo provided by Liz Lauren)
This narrative delves into the depths of deception, treachery, and savagery one is willing to engage in to secure a title and authority, and to rectify the injustices fate has bestowed upon them. While the story could easily be transposed to 2024, it unfolds in the 15th century. To some extent, the themes of greed and envy resonate with the power dynamics of today’s world. This underscores the significance of Michael Pavelka’s design work in the production. His costumes and scenic elements draw inspiration from various eras and regions, even hinting at the future. He effectively unifies the ensemble, who serve as Richard’s accomplices, with ominous masks that evoke fear while preserving their anonymity.
George, Duke of Clarence (Scott Aiello) is encircled by the ensemble cast of “Richard III.” (Photo provided by Liz Lauren)
The utilitarian, sleek, and almost futuristic set design is remarkable, serving as a backdrop for the actors to enact unspeakable deeds. While there is some graphic content (with appropriate warnings), it is essential in conveying the extreme brutality that Richard is willing to employ in pursuit of his ambitions. Special mention must be made of sound designer Pornchanok Kanchanabanca, who utilizes amplified dripping water sounds to foreshadow a waterboarding torture sequence.
Undoubtedly, director Edward Hall had a clear vision, which resonated through every sensory aspect of the production. The palpable silence in the theater between lines indicates that every audience member was holding their breath, anticipating the next dramatic turn. The choreography of the weapon play is a spectacle to behold.
Amidst numerous outstanding performances, particular recognition is deserved by Yao Dogbe for his dedicated portrayal of the Duke of Buckingham, who naively believes himself to be Richard’s prophet. Additionally, Demetrios Troy shines as the Earl of Richmond/King Edward, delivering a fully committed performance throughout. Lastly, the hydraulic-assisted entrance of Tyrell, portrayed by E.M. Davis, is a chilling depiction of an evil caretaker that will leave a lasting impression.
This harrowing historical tale, as brought to life by the ensemble, director, and design team, pays homage to Shakespeare’s words through the raw emotion, dedication, and artistry displayed by all involved. It resonates effortlessly, even with those new to Shakespearean works. Applause all around.
• Mary Beth Euker is a founding director of Cricket Theatre Company; has performed in productions at Devonshire Theatre in Skokie and Woodstock Opera House; and directs at Lake Zurich Middle School North and Spencer Loomis Elementary.
IF YOU GO
WHAT: “Richard III”
WHERE: Chicago Shakespeare’s Courtyard Theater on Navy Pier, 800 E. Grand Ave., Chicago
WHEN: Through March 3
COST: Tickets start at $38
INFORMATION: , 312-595-5600