MORGANTOWN — William Shakespeare composed his renowned plays in fragments, assembling them only when all actors were present on stage due to his fear of potential theft of his work.
Following Shakespeare’s demise, a flawed rendition of Hamlet graces the stage, prompting the remaining King’s Men to take matters into their own hands. This endeavor sets them off on a humorous pursuit to collect the puzzle pieces necessary for the creation of the First Folio — the initial printed compilation of the tales now widely recognized.
At West Virginia University’s School of Theatre and Dance, the vibrant narrative unfolds in their rendition of “The Book of Will” scheduled for Feb. 29-March 2 at the Canady Creative Arts Center at 7:30 p.m., with an additional showing on March 3 at 2 p.m. and from March 5-8 at 7:30 p.m.
Director Brianne Taylor expressed her excitement about presenting the play at the Gladys G. Davis Theatre.
“The Book of Will embodies a beautifully crafted production that highlights the significance of community during challenging times. What initially appears as a casual conversation between two men at a pub late at night evolves into a complex network of support, a fundamental element we all yearn for in life,” remarked Taylor.
The performance on March 8 will feature ASL interpretation.
“Set three years after William Shakespeare’s passing, the play commences with the mourning of most of the original King’s Men. John Heminges and Henry Condell initially grieve but subsequently embark on an active journey to uphold their friend’s legacy. The audience witnesses their resolve, creative evolution, the strength of support systems, and a poignant tribute to the world of theatre,” she elaborated.
The play serves as a fictionalized extension of the creation of the First Folio. Taylor explained how playwright Lauren Gunderson delved into the known history of the famous book and breathed life into the individuals involved.
”Historically, we are aware that two members of the King’s Men, John Heminges and Henry Condell, compiled the First Folio in 1623. The poet laureate at the time, Ben Jonson, composed a prologue for the First Folio, and William Jaggard undertook its printing, despite doubts stemming from his previous printing ventures.
Gunderson explores the relationships between Heminges and Condell and Shakespeare. In essence, akin to Shakespeare’s revered portrayal of humanity, she humanizes these characters.”
Furthermore, the contemporary playwright ensured the inclusion of the strong, often overlooked women who played a pivotal role in the folio’s creation.
“Lauren Gunderson, being one of the most staged playwrights in history, presents a fictionalized historical narrative that amplifies the female voice, which has been marginalized in historical records. Rebecca Heminges emerges as the driving force behind her husband, encouraging him to stay true to his artistic pursuit while managing their 14 children. Elizabeth Condell, a sharp-witted, business-savvy intellectual, breathes life into every space she enters. Alice Heminges, John’s eldest daughter, oversees the King’s Men’s taphouse. These women are indispensable to this historical account, not merely footnotes.”
While the play abounds with references familiar to Shakespeare enthusiasts, Taylor assures that familiarity with his works is not a prerequisite for enjoying the show.
”Devotees of Shakespeare will find delight in this production! From subtle nods to his works for those with a passing acquaintance to those who have dedicated their lives to his study, there is a spectrum of details. However, at its core, the narrative delves into the human aspect of crafting this masterpiece, ensuring that even those encountering William Shakespeare for the first time will find fulfillment.” The Book of Will, while comedic, also delves into themes of bereavement, family, and heritage.
“Grief is a nuanced journey that varies from person to person and day to day. How we navigate this path significantly hinges on our support system. Often, this journey culminates in creation — be it a memory, a tribute, or a legacy. Our most profound gift lies in what we leave behind.
“William Shakespeare left behind words that enable us to experience the full spectrum of human emotions. His two friends were so resolute in granting future generations the opportunity to savor these words that they overcame numerous obstacles. They pioneered a new form of technology, leveraging his work to usher humanity into a new era. Even after 400 years, his relevance endures. May we all be fortunate enough to have friends and family who honor us in a similar vein.”
Similar to the King’s Men, the students from the Theatre and Dance department have embarked on a transformative journey throughout the production process.
“The cast comprises a mix of undergraduate and graduate acting students, each with varying levels of familiarity with Shakespeare. Extensive effort was dedicated to deciphering the references and quotations skillfully woven into Gunderson’s script.”
The Book of Will not only provides a platform for students to showcase and enhance their on-stage and off-stage skills but also grants them insight into the First Folio and the enduring influence of the Bard on the world of theatre.
“One of the most memorable rehearsals involved a visit to the West Virginia and Regional History Center at the downtown library, where the cast had the opportunity to view the First Folio (1623) and its subsequent editions. This included the rare 3rd edition, most of which were lost in the Great Fire of London in 1666. Witnessing such historical artifacts firsthand was a moving experience for many students. Stewart Plein graciously guided us through the details of each edition, shedding light on the 17th-century printing and binding techniques.”
Taylor emphasized that the play, tailored for adult audiences, promises an enthralling escapade and serves as a commendable show of support for budding artists.
“It’s a celebration of community and a testament to the love for theatre. It’s our gift to the community and all our pillars of support. In the span of two hours, the audience will be swept away on a whirlwind journey encompassing laughter, sorrow, and anticipation, prompting them to acknowledge the legacies, both personal and external, that have shaped their present.
By attending this production, you not only support artists, students, and women’s voices but also contribute to the vibrant community of Morgantown. In the words of the esteemed playwright and London’s poet laureate, Ben Jonson, as portrayed in the play, it’s bound to be ‘bloody brilliant!’”