Reflections of a Rising Star
The talented actress from Anatomy of a Fall contemplates her whirlwind Oscar campaign and hints at exciting upcoming projects.
It is a rare feat for any actor to lead two non-English-language films to receive best-picture nominations at the Oscars. Sandra Hüller has achieved this groundbreaking milestone with The Zone of Interest and Anatomy of a Fall, both anticipated to secure at least one Oscar win on March 10. Hüller herself is vying for the best actress award, marking her first nomination for her exceptional performance in Anatomy of a Fall. This journey for the German star and her acclaimed movies has been nothing short of extraordinary, starting from their premieres at Cannes last spring, where they clinched the festival’s top honors.
My initial conversation with Hüller took place before both films premiered in North America at Telluride, marking the unofficial commencement of their Oscar campaigns. In a recent discussion on Little Gold Men, Hüller reflected on the past few months, the transformative impact of this historic run on her life—teasing some intriguing new ventures—and her thoughts on returning to Germany once the dust settles. While she had a brush with the American awards circuit seven years ago with the international hit Toni Erdmann, this experience has opened up a whole new world for Hüller—one she knows she cannot easily retreat from.
Vanity Fair: Could you share your experience at the Nominees Luncheon and its significance to you?
Sandra Hüller: The Nominees Luncheon was unexpectedly emotional for me. Meeting my fellow nominees in the category was a delight, as I’ve long admired their work. It was heartwarming to exchange greetings and appreciation with them, especially the gesture of flowers that we received. The atmosphere was devoid of competition, unlike Oscar night, creating a warm and welcoming environment. It was a beautiful afternoon filled with a sense of private pride in being among esteemed colleagues.
Were you taken aback by the feeling of private pride that surfaced during the event?
Pride is often considered a sin, but in that moment, it was a surprising yet gratifying emotion to experience. Being in that space and feeling that sense of camaraderie was truly unexpected. And yes, the food was quite good too.
As you’ve navigated this circuit since Cannes, have there been any surprising or eye-opening moments in terms of the industry dynamics and your role within it?
Contrary to my initial assumptions, the industry doesn’t feel as cold from within. The dedication and sincerity of the people I’ve collaborated with have been truly remarkable. Each individual’s commitment to the work and the sense of being valued for who you are, not just as a replaceable entity, was a pleasant surprise. My preconceived notions were proven wrong, and I gained a newfound respect for the process.
This year, you represent the globalization of the Oscars with both Anatomy and _Zone nominated for Best Picture. How do you view this evolving landscape?
I embrace and appreciate this development wholeheartedly. It signifies a modern outlook that aligns with the globalized world we live in today. Films are no longer confined to specific regions; they resonate universally, reflecting the interconnectedness of our world. While I cannot speak for Americans, I believe this shift is a positive and necessary evolution in the industry.
Have you observed changes in the reception of international films in Europe, given the evolving landscape in Hollywood?
The recent surge in the recognition of international films may partly be attributed to the industry’s dynamics, potentially influenced by past events like strikes that impacted American productions. However, it’s essential to acknowledge that the appeal of these films stems from their quality and resonance with audiences worldwide. The profound connections and responses from viewers, particularly to films like Anatomy of Fall, underscore the power of storytelling in transcending boundaries.
Your collaboration with Justine on Anatomy of a Fall has been quite intense. Have these frequent discussions about the film offered you new perspectives?
The collaboration with Justine has been enriching on various levels. The intricate details of the writing process with Arthur Harari, the unforeseen delays due to COVID, and the shared dedication to the project have deepened our bond. We share a common trait of working diligently while struggling to acknowledge and accept the accolades that follow. Witnessing Justine’s journey has reminded me of the importance of embracing recognition and taking pride in our accomplishments.
With the increased visibility, have you noticed a shift in the type of roles and projects coming your way?
Indeed, there has been a noticeable shift in the opportunities that have arisen, particularly during this period. The exciting prospects that lie ahead are not bound by geographical constraints, offering a refreshing change. While I am thrilled about these developments, I am unable to divulge further details at this time. The landscape has evolved significantly since Toni Erdmann, and the current scenario feels authentic and promising.