You could characterize Kali Malone’s sixth album as her most accessible work to date, but providing some context might be beneficial.
Following the release of 2023’s “Does Spring Hide Its Joy,” which consisted of only three tracks (different versions of the same piece) lasting over three hours, Malone’s latest album, “All Life Long,” showcases a shift towards a more concise approach. In contrast to her earlier compositions like 2018’s dissonant “Arched In Hysteria” and the organ-focused “Organ Dirges 2016-2017,” Malone’s new album features 12 pieces scored for choir, brass, and pipe organ. Despite her background in electroacoustic composition from Stockholm’s Royal College of Music, her music straddles the line between modern classical and avant-garde drone rock, with her husband Stephen O’Malley of Sunn O))) being a prominent collaborator.
Malone’s affinity for the pipe organ, although occasionally controversial due to past incidents with certain groups, remains a focal point in “All Life Long.” The album’s vocal pieces, performed by the Macadam Ensemble, draw inspiration from philosophical and poetic sources, adding layers of depth to the overall composition. The tracks, characterized by evolving textures and harmonic patterns, exhibit a subtle shift from Malone’s previous more discordant works, culminating in a contemplative and emotive musical experience.
Despite its avant-garde nature, “All Life Long” manages to convey a profound sense of melancholy and introspection without feeling detached or inaccessible. The album’s versatility is evident in its ability to evoke different emotional responses based on the listening environment, ranging from immersive and transportive on headphones to ambient and calming on speakers.
While Malone’s latest endeavor may seem daunting to those unaccustomed to experimental music, “All Life Long” ultimately invites listeners to immerse themselves in its unique sonic landscape effortlessly.