Even the introduction by Andrew VanWyngarden and Ben Goldwasser was remarkably perplexing. In the peculiar twilight of guitar music, the unexpected ascent of a duo resembling Lost Boys discussing electric eels caught everyone off guard. MGMT surreptitiously infiltrated the pop charts almost as if under a hypnotic spell, a fitting portrayal of the unforgettable “Kids” riff. Their visual gimmick was executed with finesse, hinting at a potential continuation that never materialized.
From their debut single “Time to Pretend,” where they preemptively ridiculed the allure of fame and fortune, the duo understood the music industry’s thirst for easily marketable hits. Instead of conforming, they embarked on a Syd Barrett-inspired psychedelic journey devoid of traditional singles. Subsequently, they ventured into an experimental phase that deviated from the conventional self-titled album formula, only to resurface five years later armed with pop synths exuding a slightly darker aura than those in “Electric Feel.” Despite being perceived by casual listeners as a fleeting presence known for their 2008 rock hits, MGMT has defied expectations over two decades by consistently following their creative impulses with remarkable success.
Their latest offering, “Loss of Life,” epitomizes this ethos. It represents a stylish departure into grandiose arrangements featuring woodwind embellishments, eerie lullabies, and a touch of “20% adult contemporary,” showcasing their diverse musical influences across ten tracks with unprecedented depth. VanWyngarden and Goldwasser openly acknowledged the album’s effortless creation, evident in the sheer joy they derive from crafting eclectic sounds that emanate from their collective creativity. While magical moments akin to the underappreciated “Congratulations” album emerge organically, “Loss of Life” seamlessly blends dramatic eccentricity with structured, memorable compositions. Tracks like “Mother Nature” blend indie-folk charm with unsettling chord progressions, while “Bubblegum Dog” captivates with its apocalyptic alt-rock vibe. “People in the Streets” boldly introduces an audacious keyboard solo reminiscent of prog rock’s golden era.
Amidst VanWyngarden’s deceptive vocal hooks in “Mother Nature,” the subtle yet impactful nuances woven into MGMT’s musical tapestry shine through. From the delicate drum patterns in “Nothing to Declare” to the genre-blurring duet “Dancing In Babylon” featuring Christine & the Queens, the band effortlessly transitions between showmanship and introspection. By intertwining cryptic narratives involving “igneous basketballs,” enchanted castles, and the enigmatic Bubblegum Dog, MGMT invites listeners on a whimsical journey that culminates in existential contemplation amidst spacey horn arrangements.
MGMT’s fifth studio album continues their tradition of offering a multifaceted listening experience that reveals layers of mystery, warmth, and wry melancholy upon closer inspection. While their mainstream appeal and catchy melodies remain intact, MGMT’s commitment to infusing fantastical elements into their music echoes the spirit of their cult favorites. It is evident that both the band and their dedicated fan base revel in this creative direction, embracing the whimsical charm that defines their artistic identity.